{"id":1049,"date":"2002-11-18T00:00:09","date_gmt":"2002-11-18T00:00:09","guid":{"rendered":"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/?p=1049"},"modified":"2012-10-12T18:58:08","modified_gmt":"2012-10-12T18:58:08","slug":"urban-aborignal-xv-china-2","status":"publish","type":"post","link":"https:\/\/www.freunde-guter-musik-berlin.de\/?p=1049&lang=en","title":{"rendered":"Urban + Aborignal XV: China"},"content":{"rendered":"<p>15.11. &#8211; 17.11.2002<br \/>\nPodewil, Werkstatt der Kulturen der Welt<\/p>\n<p>URBAN + ABORIGINAL &#8211; Music and performance between Rock, Jazz, &#8222;ethnic&#8220; and &#8222;new&#8220; music, in the borderland of styles, cultures and between the arts.\u00a0Freunde Guter Musik Berlin e.V. have presented their annual festival &#8222;Urban + Aboriginal&#8220; since 1985. With its shifting emphasis on different regions and themes, the festival has developed into a focal point for contemporary music and performance in Berlin. It presents soloists and ensembles who operate in the thickets between &#8222;new&#8220; and &#8222;ethnic&#8220; music, rock and jazz, and who cross boundaries between the arts: music and performance by big-city natives \u2013 the transgressors, troublemakers and trappers in the crossfire of cultures and styles. It&#8217;s not about trends, but about the urban and the aboriginal.\u00a0 Both are experiencing transformations far from the beaten track and searching for individual solutions. Progressive urban-industrial cultural forms undergo dialectical, even ironic refractions, reverting to supposedly outdated modes, to the &#8222;primitive&#8220; and &#8222;alien&#8220;, the &#8222;archaic&#8220; and &#8222;anarchistic&#8220;, to &#8222;nature&#8220; and &#8222;ritual&#8220;. These experimental projects are juxtaposed with traditional styles of ethnic music that have developed outside the urban context, so that the hybrid forms of musical expression from the cities appear as if illuminated in relief.<\/p>\n<p>Urban + Aboriginal XV: China is dedicated to the musical culture of China.<\/p>\n<p><strong>Team:<\/strong><br \/>\nProgram\/organisation: Vil\u00e9m Wagner, Matthias Osterwold, Elke Moltrecht, Anette Heit, Yu Fang, Werner Durand<\/p>\n<p>In cooperation with Podewil and Werkstatt der Kulturen. With support of Senatsverwaltung f\u00fcr Wissenschaft, Forschung und Kultur, Initiative Neue Musik Berlin e.V., Siemens AG Berlin and SFB RADIOkultur, Musik fremder Kulturen.<\/p>\n<p><strong>Programm:<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">15.11.2002<\/span><\/p>\n<h4><span style=\"font-weight: normal;\">ENSEMBLE XIAN AN GUYUE<br \/>\nAVANTPOP &amp; CLUB CULTURE:<br \/>\nLi Chin Sung (live electronics, turntables) \u2013 \u00bbBeijing\u00ab<br \/>\n\u2022 \u00a0Podewil<\/span><\/h4>\n<h4><span style=\"font-weight: normal;\"><span style=\"text-decoration: underline;\">16.11.2002<\/span><\/span><\/h4>\n<h4><span style=\"font-weight: normal;\">MIN XIAO-FEN \u2013 Pipa solo<br \/>\nDEREK BAILEY (Gitarre) \/ MIN XIAO-FEN (Pipa)<br \/>\n\u00bbFlying Dragons, Dancing Phoenix\u00ab<br \/>\nAVANTPOP &amp; CLUB CULTURE<br \/>\nLi Chin Sung (live electronics, turntables) \u2013 \u00bbBerlin\u00ab<br \/>\n\u2022 \u00a0Podewil<\/span><\/h4>\n<p><span style=\"text-decoration: underline;\">17.11.2002<\/span><\/p>\n<h4><span style=\"font-weight: normal;\">LI MINGZHONG<br \/>\nENSEMBLE XIAN AN GUYUE<br \/>\nENSEMBLE \u00bbDER DRACHE\u00ab<br \/>\nXU FENGXIA \/ WU WEI<br \/>\n\u2022 \u00a0Werkstatt der Kulturen der Welt<\/span><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>15.11. &#8211; 17.11.2002 Podewil, Werkstatt der Kulturen der Welt URBAN + ABORIGINAL &#8211; Music and performance between Rock, Jazz, &#8222;ethnic&#8220; and &#8222;new&#8220; music, in the borderland of styles, cultures and between the arts.\u00a0Freunde Guter Musik Berlin e.V. have presented their annual festival &#8222;Urban + Aboriginal&#8220; since 1985. With its shifting emphasis on different regions and themes, the festival has developed into a focal point for contemporary music and performance in Berlin. It presents soloists and ensembles who operate in the thickets between &#8222;new&#8220; and &#8222;ethnic&#8220; music, rock and jazz, and who cross boundaries between the arts: music and performance by big-city natives \u2013 the transgressors, troublemakers and trappers in the crossfire of cultures and styles&#8230;.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,33],"tags":[146,106,147,148],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1049"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1049"}],"version-history":[{"count":7,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1049\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/1049\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}