{"id":2598,"date":"2013-06-20T10:00:52","date_gmt":"2013-06-20T10:00:52","guid":{"rendered":"http:\/\/www.freunde-guter-musik-berlin.de\/?p=2598"},"modified":"2013-06-28T20:16:10","modified_gmt":"2013-06-28T20:16:10","slug":"avant-garde-andas-politics-%e2%80%93-tape-concert","status":"publish","type":"post","link":"https:\/\/www.freunde-guter-musik-berlin.de\/?p=2598&lang=en","title":{"rendered":"Avant-garde and\/as Politics \u2013 tape concert"},"content":{"rendered":"<p><strong>20 July 2013 \/ 10 p.m.<\/strong><br \/>\nSt. Elisabeth-Kirche<br \/>\ntape concert<\/p>\n<p><strong>Johannes Fritsch: <em>Modulation IV<\/em> (1968)<\/strong> \u2013 4-channel playback<\/p>\n<p><strong>Richard Barrett &amp; Kees Tazelaar: <em>Equale<\/em> (2013, premiere\/commission) \u2013 <\/strong>8-channel playback<br \/>\nRichard Barrett and Kees Tazelaar, live diffusion<br \/>\nCommissioned by the Electronic Music Studio TU Berlin.<\/p>\n<p><strong>Mazen Kerbaj: <em>Starry Night<\/em> (2006)<\/strong> \u2013 stereo playback<strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p>The evening\u2019s premiere refers to the political dimension of Luigi Nono\u2019s oeuvre and confronts it with the praxis of collective composition. In his tape composition, Johannes Fritsch addresses the problem of the coherence of opposing (and contradictory) individual moments, whereas the trumpeter Mazen Kerbaj reacts by recording an improvisation while the Israeli air force bombed Beirut.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>20 July 2013 \/ 10 p.m. St. Elisabeth-Kirche tape concert Johannes Fritsch: Modulation IV (1968) \u2013 4-channel playback Richard Barrett &amp; Kees Tazelaar: Equale (2013, premiere\/commission) \u2013 8-channel playback Richard Barrett and Kees Tazelaar, live diffusion Commissioned by the Electronic Music Studio TU Berlin. Mazen Kerbaj: Starry Night (2006) \u2013 stereo playback The evening\u2019s premiere refers to the political dimension of Luigi Nono\u2019s oeuvre and confronts it with the praxis of collective composition. In his tape composition, Johannes Fritsch addresses the problem of the coherence of opposing (and contradictory) individual moments, whereas the trumpeter Mazen Kerbaj reacts by recording an improvisation while the Israeli air force bombed Beirut.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,32],"tags":[241,242,120],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/2598"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2598"}],"version-history":[{"count":2,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/2598\/revisions"}],"predecessor-version":[{"id":2600,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/2598\/revisions\/2600"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}