{"id":361,"date":"2012-05-31T15:55:27","date_gmt":"2012-05-31T15:55:27","guid":{"rendered":"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/?p=361"},"modified":"2012-06-21T20:51:27","modified_gmt":"2012-06-21T20:51:27","slug":"urban-aboriginal","status":"publish","type":"post","link":"https:\/\/www.freunde-guter-musik-berlin.de\/?p=361&lang=en","title":{"rendered":"Urban + Aboriginal"},"content":{"rendered":"
\n

1985 – 2004<\/strong>
\nMusic and performance between Rock, Jazz,\u00a0\u00bbethnic\u00ab and \u00bbnew\u00ab music, in the borderland\u00a0of styles, cultures and between the arts<\/p>\n

Freunde Guter Musik Berlin e.V. have presented their annual festival \u00bbUrbane Aboriginale\u00ab since 1985. With its shifting emphasis on different regions and themes, the festival has developed into a focal point for contemporary music and performance in Berlin. It presents soloists and ensembles who operate in the thickets between \u00bbnew\u00ab and \u00bbethnic\u00ab music, rock and jazz, and who cross boundaries between the arts: music and performance by big-city natives \u2013 the transgressors, troublemakers and trappers in the crossfire of cultures and styles. It’s not about trends, but about the urban and the aboriginal.\u00a0 Both are experiencing transformations far from the beaten track and searching for individual solutions. Progressive urban-industrial cultural forms undergo dialectical, even ironic refractions, reverting to supposedly outdated modes, to the \u00bbprimitive\u00ab and \u00bbalien\u00ab, the \u00bbarchaic\u00ab and \u00bbanarchistic\u00ab, to \u00bbnature\u00ab and \u00bbritual\u00ab. These experimental projects are juxtaposed with traditional styles of ethnic music that have developed outside the urban context, so that the hybrid forms of musical expression from the cities appear as if illuminated in relief.
\n<\/strong><\/p>\n

<\/strong>
\nChronology<\/strong><\/p>\n

30.09. – 21.10.1985
\nURBANE ABORIGINALE<\/strong>
\n(New York\/London\/K\u00f6ln\/Berlin)
\nmit Fast Forward und Band, Elliott Sharp, Arnold Dreyblatt, C. Newman und Janet Smith<\/p>\n

20.10. – 27.10.1986
\nABORIGINAUX URBAINS \u00a0II<\/strong>
\n(Grenoble\/Bordeaux\/Paris)
\nmit Vivenza, \u00c9tant Donn\u00e9s, Anne Gillis, Joelle L\u00e9andre, Tamia<\/p>\n

29.09. – 06.10.1987
\nURBAN ABORIGINALS \u00a0III<\/strong>
\n(New York\/Boston\/Montreal\/Berlin)
\nmit Rhys Chatham und Band, Robert Rutman’s Steel‘ Cello Ensemble, Samm Bennett\/Werner Durand, FAT<\/p>\n

25.10. – 03.11.1988
\nURBANE ABORIGINELEN \u00a0IV (Holland)<\/strong>
\nmit Laurens Tan, Harry de Wit, F.F. Beckmans, Yntse Vugts, Maciunas-Ensemble, Greetje Bijma, Luc Houtkamp, Horst Rickels, Armeno und Marcel Alberts, LOOS<\/p>\n

11.10. – 17.10.1989
\nURBANE ABORIGINALE \u00a0V.OKAL<\/strong>
\nmit Bubacar Jammeh, David Moss, Peter Hollinger, Sussan Deihim, Shelley Hirsch, David Weinstein, Greetje Bijma, Phil Minton<\/p>\n

17.11. – 21.11.1990
\nURBANE ABORIGINALE LOKAL \u00a0VI<\/strong>
\nmit Audio Ballerinas\/Beno\u00eet Maubrey, Menschen Machen Musik, Slawterhaus, Alliin G\u00e4a, The 13th Tribe, Hilde Kappes, Hans Peter Kuhn, Frieder Butzmann und YoYo-TA, Hike Wehner, Via Lewandowski, Caspar Br\u00f6tzmann Massaker<\/p>\n

18.10. – 27.10.1991
\nURBANE ABORIGINALE \u00a0VII: OSTEUROPA<\/strong>
\nmit Tibor Szemz\u00f6, Dumitru Farcas Ensemble, Viktor Lois Ballast, J\u00e1nos Zerkula und Regina Fik\u00f3, ZGA, Sainkho Namchalak, Michail Shukov, Mieczyslaw Litwinski, German Vinogradov, Natalya Pshenitchnikova<\/p>\n

16.10. – 27.10.1992
\nURBANE ABORIGINALE \u00a0VIII: JAPAN<\/strong>
\nCharles, Yuko Katsumata, Toshimasa Furukawa, Sh\u00fbichi Chino, T\u00e2ri It\u00f4, Chie Mukai, Ken.ichi Takeda, Mica Nozawa, Opera, Office Trip, G\u00f4ji Hamada, Seiji Shimoda, Keiji Haino, Akio Suzuki und Junko Wada, Motoharu Yoshizawa, Merzbow, Toki Doki Jidou<\/p>\n

01.03. – 10.03.1994
\nURBANE ABORIGINALE \u00a0IX: MEDITERRAN<\/strong>
\nmit Txalaparta-Duo, Osso Ex\u00f3tico, Roberto Paci Dal\u00f2\/Isabella Bordoni, Luigi Lai, Tenores di Bitti, Paulo Feliciano und Mimi, Koniec, Fatima Miranda, Lloren\u00e7 Barber, Ensemble Val Resia<\/p>\n

23.02. – 04.03.1995
\nURBAN ABORIGINAL \u00a0X: AUSTRALIEN<\/strong>
\nmit Jon Rose, The Machine For Making Sense, The Necks, Stelarc, Rainer Linz, Peril, Jo Truman, Stevie Wishart, Amanda Stewart, Caterina de Re, Louis Burdett, Satsuki Odamura, Warren Burt, Martin Wesley-Smith, Janawirri Yiparrka, Walangari Karntawarra, DJ Zeitgeist<\/p>\n

23.03. – 31.03.1996
\nURBAN ABORIGINALS \u00a0XI: THE BRITISH AMBIENCE<\/strong>
\nmit Brian Eno, Max Eastley, Eddie Prevost, Robert Hampson, Stock, Hausen und Walkman, Philip Jeck, Sianed Jones, Bell Helicopter, :Zoviet*France:, AMM, Techno Animal, Scanner, Swarf, Kaffe Matthews, Die! Trip Computer, Die!, Hayley Newman<\/p>\n

21.03.und 24.03.1998
\nURBAN ABORIGINAL \u00a0XII: POLAR I<\/strong>
\nmit Mieskuoro Huutajat, Reptilicus, \u00c5sa Simma, Norman Charles, Charlie Morrow<\/p>\n

03.10. – 22.10.1999
\nURBAN ABORIGINAL \u00a0XIII: POLAR II<\/strong>
\nmit Sainkho Namtchylak und Band, German Vinogradov und Vera Sajina,Henning Chrisitiansen, Bj\u00f8rn N\u00f8rgaard, Christophe Charles, Wolfgang M\u00fcller und \u00c1sta \u00d3lafsd\u00f3ttir, Eyvindur P. Eir\u00edksson, Hermoine Zittlau-Horstd\u00f3ttir, Birgir \u00d6rn Thoroddsen, Egill S\u00e6bj\u00f6rnsson, Eyvindur P. Eir\u00edksson, \u0094Venus\u0094 \u00d6rn J\u00e1kup Dam Washington, Oskak\u00f3rinn, Stilluppsteypa, Leif Elggren, MSCHarding, Kent Tankred, HAZARD, Anders P. Bongo, Angelit<\/p>\n

16.09. – 01.10. 2000
\nURBAN ABORIGINAL \u00a0XIV: QUASI AMAZONIA<\/strong>
\nmit Madalena Bernardes, David Toop, Silvia Ocougne und Chico Mello, Livio Tragtenberg, Marcelo Brissac, Ricardo Arias, Omid Burgin, Werner Durand, Axel D\u00f6rner, Arik Hayut<\/p>\n

15.11. – 17.11. 2002
\nURBAN ABORIGINAL \u00a0XV: CHINA<\/strong>
\nmit Xian An Guyue, Derek Bailey, Min Xiao-Fen, Li Chin Sung, Li Mingzhong, Xu Fengxia, Wu Wei, Fu Renchang<\/p>\n

12.11. – 21.11. 2004
\nURBAN ABORIGINAL \u00a0XVI: Alte und neue Musik aus Korea<\/strong>
\nmit Kajin Hoesang, Kong Ho-jung-Quartet, Wang Ki-seok, Han Seung-seok, Yi A-mi, The Yeak Academy for Ancient Korean Music, Hwang Byung-ki, Ji Ae-ri, Yun In-suk, Kim Woong-sik, Park Chang-soo, Modern Art Sextet, Cardew Ensemble Berlin, Lee Ja-ram, Park Je-chun, Lere Yun-kyung, The Barton Workshop<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

1985 – 2004 Music and performance between Rock, Jazz,\u00a0\u00bbethnic\u00ab and \u00bbnew\u00ab music, in the borderland\u00a0of styles, cultures and between the arts Freunde Guter Musik Berlin e.V. have presented their annual festival \u00bbUrbane Aboriginale\u00ab since 1985. With its shifting emphasis on different regions and themes, the festival has developed into a focal point for contemporary music and performance in Berlin. It presents soloists and ensembles who operate in the thickets between \u00bbnew\u00ab and \u00bbethnic\u00ab music, rock and jazz, and who cross boundaries between the arts: music and performance by big-city natives \u2013 the transgressors, troublemakers and trappers in the crossfire of cultures and styles. It’s not about trends, but about the urban and the aboriginal.\u00a0 Both…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[33],"tags":[110,111,106],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/361"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=361"}],"version-history":[{"count":7,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/361\/revisions"}],"predecessor-version":[{"id":418,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/361\/revisions\/418"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}