![\"\"](\"https:\/\/www.freunde-guter-musik-berlin.de\/wp\/wp-content\/uploads\/2026\/01\/14_Still_GanzUngueltig-scaled.jpg\")
<\/a><\/u><\/strong><\/p>\n<\/p>\n
Thursday, 19.02.2026 6 p.m. The film Ganz ung\u00fcltig, nur ein Versuch<\/em> (Completely invalid, just a try) takes Anton Bruckner\u2019s (1824\u20131896) Symphony No. 0 as its point of departure \u2013 a work the Austrian composer himself declared \u2018invalid\u2019. Annika Kahrs uses this so-called Die Nullte<\/em> (No. Zero) as a material and thematic foundation to examine processes of rejection, revision and reinvention. Five musicians play Bruckner\u2019s \u2018No. Zero\u2019 in a concert hall. During the performance, the original score changes because it has been handwritten, erased, overwritten or supplemented by young people who are involved in music reception and production in different situations. In this way, classical interpretation and contemporary forms of composition intertwine to create a new piece of music.<\/p>\n <\/p>\n Image: <\/p>\n","protected":false},"excerpt":{"rendered":" Thursday, 19.02.2026 Musikinstrumenten-Museum SIM 6 p.m. Opening Ganz ung\u00fcltig, nur ein Versuch, 2024 Video installation Curt-Sachs-Saal Exhibition: 19.02. \u2013 01.03.2026 The film Ganz ung\u00fcltig, nur ein Versuch (Completely invalid, just a try) takes Anton Bruckner\u2019s (1824\u20131896) Symphony No. 0 as its point of departure \u2013 a work the Austrian composer himself declared \u2018invalid\u2019. Annika Kahrs uses this so-called Die Nullte (No. Zero) as a material and thematic foundation to examine processes of rejection, revision and reinvention. Five musicians play Bruckner\u2019s \u2018No. Zero\u2019 in a concert hall. During the performance, the original score changes because it has been handwritten, erased, overwritten or supplemented by young people who are involved in music reception and production…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,32],"tags":[331,317,332,318,34,333,314,325],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/4647"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4647"}],"version-history":[{"count":6,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/4647\/revisions"}],"predecessor-version":[{"id":4728,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/4647\/revisions\/4728"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/u><\/strong>Musikinstrumenten-Museum SIM <\/strong><\/p>\n
\n<\/strong>Opening
\n<\/strong>Ganz ung\u00fcltig, nur ein Versuch<\/strong>,<\/em> 2024
\nVideo installation
\nCurt-Sachs-Saal
\nExhibition: 19.02. \u2013 01.03.2026<\/p>\n
\nAnnika Kahrs, Ganz ung\u00fcltig, nur ein Versuch, 2024, Video still \u00a9 Annika Kahrs, 2025. Courtesy the artist and Produzentengalerie Hamburg<\/p>\n