{"id":665,"date":"2005-02-25T16:32:52","date_gmt":"2005-02-25T16:32:52","guid":{"rendered":"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/?p=665"},"modified":"2014-01-02T14:30:42","modified_gmt":"2014-01-02T14:30:42","slug":"carsten-nicolai-7","status":"publish","type":"post","link":"https:\/\/www.freunde-guter-musik-berlin.de\/?p=665&lang=en","title":{"rendered":"Carsten Nicolai"},"content":{"rendered":"<p>25.02. &#8211; 03.04.2005<br \/>\nNeue Nationalgalerie Berlin \/ Upper Hall<\/p>\n<p><strong>syn chron<br \/>\n<\/strong>Architectural Body as Interface<br \/>\nSpace. Light. Sound. (2005)<\/p>\n<p><!--EndFragment--><\/p>\n<p>Carsten Nicolai \u2013 concept, composition<br \/>\nFinn Geipel &amp; Giulia Andi, LIN \u2013 architecture<br \/>\nWerner Sobek \u2013 supporting structure<br \/>\nDavid Letellier \u2013 artistic assistance<\/p>\n<p>Ingrid Buschmann, Gabriele Knapstein \u2013 curators<\/p>\n<p>JENOPTIK AG \u2013 laser sources<br \/>\nLaserAnimation SOLLINGER GmbH \u2013 laser technology, programing<br \/>\nELAC Electroacustic GmbH \u2013 audio technology<br \/>\nNibo \u2013 sound programing<br \/>\nideea Messe- und Dekorationsbau GmbH \u2013 production architecture<br \/>\nRob Feigel \u2013 technical production<\/p>\n<p><a href=\"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/wp-content\/uploads\/2005\/02\/CN0205-Walter-01.tif\"><img decoding=\"async\" class=\"alignnone size-full wp-image-2790\" title=\"CN0205-Walter-01\" src=\"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/wp-content\/uploads\/2005\/02\/CN0205-Walter-01.tif\" alt=\"\" width=\"300\" \/><\/a><\/p>\n<p>Photo: Uwe Walter<\/p>\n<p>For the upper hall of the Neue Nationalgalerie, visual artist and musician Carsten Nicolai has conceived of a mobile space that serves as acoustic body, resonating space and projection surface all at once \u2013 a crystalline architectural body whose translucent skin is the vehicle for both acoustic and optical events. Electronic music composed by Nicolai generates modulations in laser-projected light. The composition, designed to run for the duration of the installation, is planned for daytime and nighttime conditions as well as potential live presentations. The architectural body is a sound and light space that visitors can enter into, or they can also perceive it from the outside, even at a distance. This mobile architecture is a prototype that the artist has developed together with architects Finn Geipel and Giulia Andi, LIN as well as with engineer Werner Sobek. Along with the latest in laser technology, Nicolai experiments with the special acoustic conditions of the crystalline space.<\/p>\n<p><strong>Carsten Nicolai<\/strong>, born 1965 in Chemnitz, has developed a special approach to the connection between art and music, between visual and acoustic perception, in his works since the mid-1990s. His stance as artist and musician may be compared with that of a researcher. In constantly new experimental arrangements, Nicolai seeks to overcome separations between human sensory experiences and to transform natural scientific phenomena, such as sound and light frequencies, into events perceptible for the eyes and ears. \u00bbsyn chron\u00ab represents the largest project to date in Nicolai&#8217;s endeavor to create a symbiosis between architecture, light and sound.<\/p>\n<p>The \u00bbsyn chron\u00ab project takes place as part of the \u00bbMusical Works by Visual Artists\u00ab performance series, which Freunde Guter Musik Berlin has realized in collaboration with the Nationalgalerie Berlin since 1999 and, since 2002, with MaerzMusik festival of the Berliner Festspiele. Within this series, Carsten Nicolai&#8217;s work occupies a special position. It can be thought of as an experiment in which the artist is active not only at the border zones of art and music, but also at their interface with science.<\/p>\n<p>A project of Freunde Guter Musik Berlin e.V., in collaboration with Neue Nationalgalerie, Staatliche Museen zu Berlin\u00a0and MaerzMusik 2005 \/ Berliner Festspiele.<br \/>\nMade possible by grants from the Ernst Schering Foundation and the Hauptstadtkulturfonds.\u00a0With support from JENOPTIK AG, LaserAnimation SOLLINGER GmbH,\u00a0ELAC Electroacustic GmbH and ideea Messe- und Dekorationsbau GmbH.\u00a0Media partner: SPEX, supported by The Wire. With thanks to Galerie EIGEN + ART.<\/p>\n<p><strong>Further information:<\/strong><a href=\"http:\/\/www.musikwerke-bildender-kuenstler.de\" target=\"_blank\"><br \/>\nwww.musikwerke-bildender-kuenstler.de<\/a><br \/>\n<a href=\"http:\/\/www.carstennicolai.de\" target=\"_blank\">www.carstennicolai.de<\/a><br \/>\n<a href=\"http:\/\/www.smb.spk-berlin.de\/nng\/i.html\" target=\"_blank\">www.smb.spk-berlin.de\/nng\/i.html<\/a><\/p>\n<p><strong>Supported by:<\/strong><br \/>\n<a href=\"http:\/\/www.scheringstiftung.de\">www.scheringstiftung.de<\/a><br \/>\n<a href=\"http:\/\/www.hauptstadtkulturfonds.berlin.de\">www.hauptstadtkulturfonds.berlin.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>25.02. &#8211; 03.04.2005 Neue Nationalgalerie Berlin \/ Upper Hall syn chron Architectural Body as Interface Space. Light. Sound. (2005) Carsten Nicolai \u2013 concept, composition Finn Geipel &amp; Giulia Andi, LIN \u2013 architecture Werner Sobek \u2013 supporting structure David Letellier \u2013 artistic assistance Ingrid Buschmann, Gabriele Knapstein \u2013 curators JENOPTIK AG \u2013 laser sources LaserAnimation SOLLINGER GmbH \u2013 laser technology, programing ELAC Electroacustic GmbH \u2013 audio technology Nibo \u2013 sound programing ideea Messe- und Dekorationsbau GmbH \u2013 production architecture Rob Feigel \u2013 technical production Photo: Uwe Walter For the upper hall of the Neue Nationalgalerie, visual artist and musician Carsten Nicolai has conceived of a mobile space that serves as acoustic body, resonating space and projection&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2815,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,19],"tags":[71,34,100],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/665"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=665"}],"version-history":[{"count":9,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions"}],"predecessor-version":[{"id":2817,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/665\/revisions\/2817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/media\/2815"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}