26.09.2003 \/ 22:00 h
\nVilla Elisabeth<\/p>\n
20 Years Freunde Guter Musik Berlin
\nNET MUSIC<\/p>\n
motion picture soundtrack<\/strong> \u2013 concert Both performances by the Berlin electronic musician, composer and sound designer zeitblom<\/strong> (Berlin)\u00a0are based on the idea of a biomorphic composing process, with sound as the micro-organism, which he developed while working on the installation trilogy „bioplex \u2013 biomorph \u2013 bioscope“ (2001\u20132005). In his concert „motion picture soundtrack“, zeitblom presents the music for an unmade movie filmed using the anamorphic Cinemascope process. Similar to anamorphic optics, sounds are first compressed, and then expanded and separated to again create a monophonic soundscape. Sound, melody, and rhythms are subjected to continuous permutations and, in an acoustic recycling process that yields ever-changing forms, composed into an audio film.<\/p>\n In the musical Net project that zeitblom has developed for Freunde’s Website, „biomorph source music III\/audiotracts“, the acoustic material is also always being newly combined, interwoven, and dynamically weighted. The user, navigating through the site pages, guides processes that constantly generate new sound events.<\/p>\n","protected":false},"excerpt":{"rendered":" 26.09.2003 \/ 22:00 h Villa Elisabeth 20 Years Freunde Guter Musik Berlin NET MUSIC motion picture soundtrack \u2013 concert biomorph source music III\/audiotracts \u2013 sound project in the Net, presentation Both performances by the Berlin electronic musician, composer and sound designer zeitblom (Berlin)\u00a0are based on the idea of a biomorphic composing process, with sound as the micro-organism, which he developed while working on the installation trilogy „bioplex \u2013 biomorph \u2013 bioscope“ (2001\u20132005). In his concert „motion picture soundtrack“, zeitblom presents the music for an unmade movie filmed using the anamorphic Cinemascope process. Similar to anamorphic optics, sounds are first compressed, and then expanded and separated to again create a monophonic soundscape. Sound, melody, and rhythms…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,32],"tags":[136,115,128,125,124],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/909"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=909"}],"version-history":[{"count":6,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/909\/revisions"}],"predecessor-version":[{"id":911,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/909\/revisions\/911"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nbiomorph source music III\/audiotracts<\/strong> \u2013 sound project in the Net, presentation<\/p>\n