{"id":923,"date":"2003-10-01T20:00:51","date_gmt":"2003-10-01T20:00:51","guid":{"rendered":"http:\/\/www.freunde-guter-musik-berlin.de\/wp\/?p=923"},"modified":"2012-10-23T15:00:27","modified_gmt":"2012-10-23T15:00:27","slug":"femmes-electroniques-2","status":"publish","type":"post","link":"https:\/\/www.freunde-guter-musik-berlin.de\/?p=923&lang=en","title":{"rendered":"Eliane Radigue"},"content":{"rendered":"<p>01.10.2003 \/ 20:00 h<br \/>\nVilla Elisabeth<\/p>\n<p>20 Years Freunde Guter Musik Berlin<br \/>\nFEMMES ELECTRONIQUES<\/p>\n<p><strong>L\u2019Ile Re-Sonante<\/strong> &#8211; 8-track \/ 3-part piece (2000)<\/p>\n<p><strong>Eliane Radigue<\/strong> (Paris) studied with Pierre Schaeffer and Pierre Henry in the &#8217;50s, and for many years was Henry&#8217;s assistant. She did not, however, follow her mentor into the pastures of &#8222;musique concr\u00e8te&#8220;, but turned rather to synthesizers as sound sources and went her own way. Her electronic sounds, usually generated on Arp or Moog synthesizers and recorded on tape, have a hypnotic power and are uncompromisingly minimalistic, even ascetic. They change almost imperceptibly and create a continuous flow in which the music seems to be moving around the listener. It could be said that she has been working on a single large piece for her entire life: &#8222;there are no real differences between my various works, no more than between the beginning and end of a piece&#8220;, as she puts it. The idea for &#8222;L&#8217;Ile Re-Sonante&#8220; came in 1998, and the composition was realized at the Centre de Creation Musicale Iannis Xenakis in 2000.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>01.10.2003 \/ 20:00 h Villa Elisabeth 20 Years Freunde Guter Musik Berlin FEMMES ELECTRONIQUES L\u2019Ile Re-Sonante &#8211; 8-track \/ 3-part piece (2000) Eliane Radigue (Paris) studied with Pierre Schaeffer and Pierre Henry in the &#8217;50s, and for many years was Henry&#8217;s assistant. She did not, however, follow her mentor into the pastures of &#8222;musique concr\u00e8te&#8220;, but turned rather to synthesizers as sound sources and went her own way. Her electronic sounds, usually generated on Arp or Moog synthesizers and recorded on tape, have a hypnotic power and are uncompromisingly minimalistic, even ascetic. They change almost imperceptibly and create a continuous flow in which the music seems to be moving around the listener. It could be&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28,32],"tags":[136,115,81,128,124],"_links":{"self":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/923"}],"collection":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=923"}],"version-history":[{"count":7,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/923\/revisions"}],"predecessor-version":[{"id":926,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=\/wp\/v2\/posts\/923\/revisions\/926"}],"wp:attachment":[{"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freunde-guter-musik-berlin.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}